Friday, January 24, 2020

John Grochalski

arriving at work
to the homeless man who smells like urine

he sits on the stoop
like a sickly shroud
smelling faintly of urine

he’s huddled in black

black suitcase
black duffle bag at his side

his face ghostly and pale
his lips white with kidney failure

sometimes there is a beer bottle or two at his side

he sits there shivering
as people walk by going to work
with huge coffees and bagel sandwiches
and little rolly bags trailing them like dogs

in less than twenty minutes
i will let him inside
where he will find a chair and read or sleep

until he pisses himself anew
the good people complain
and i have to ask him to leave

arriving at work
to the homeless man who smells like urine

sometimes i think about
how glad i am that i’m not him

but sometimes i think about
how the only real choices in america
are to work like a dog until you’re half-dead
or to end up smelling like piss in the street

how everyone in this shithole nation
is just a few bad mondays
from being just like this guy

a few bad breaks
and america will throw you away
like trash

then i go inside
and i sit at my desk in the dark
with my head buried in my hands

and i wait for something better
that will never come.     

John Grochalski is the author of the poetry collections, The Noose Doesn’t Get Any Looser After You Punch Out (Six Gallery Press 2008), Glass City (Low Ghost Press, 2010), In The Year of Everything Dying (Camel Saloon, 2012), Starting with the Last Name Grochalski (Coleridge Street Books, 2014), and The Philosopher’s Ship (Alien Buddha Press, 2018). He is also the author of the novels, The Librarian (Six Gallery Press 2013), and Wine Clerk (Six Gallery Press 2016).  Grochalski currently lives in Brooklyn, New York, in the part that voted for Trump, so may God have mercy on his soul.

Friday, January 17, 2020

Mike James



Mike James makes his home outside Nashville, Tennessee. He has published in numerous magazines throughout the country in such places as Plainsongs, Laurel Poetry Review, Birmingham Poetry Review, and Chiron Review. His poetry collections include: Parades (Alien Buddha), Jumping Drawbridges in Technicolor (Blue Horse), First-Hand Accounts from Made-Up Places (Stubborn Mule), Crows in the Jukebox (Bottom Dog), My Favorite Houseguest (FutureCycle), and Peddler’s Blues (Main Street Rag.) He served as an associate editor of The Kentucky Review, as well as the publisher of the now defunct Yellow Pepper Press. In the spring of 2020 Luchador Press will publish his 15th collection, Journeyman’s Suitcase.

Friday, January 3, 2020

Kevin Ridgeway

BRAIN MATTER

chow time came
before the sun went
down on L.A. County Jail,
where people try
to trade shots
of instant coffee
for fruit in order to make pruno.
I had just been taken off
suicide watch and had been
stuffed into a yellow
mental health
smock for dings
like us or whatever else
the deputies laughingly called us.
Everyone’s favorite meal
was called brain matter,
our tray canvasses
decorated in gray
hamburger and
a decadent brown
mystery sauce
over curly noodles.
We slurped from
other inmates’ scraps
of a kind of meat
we couldn’t beat
after lights out
and we all passed out
fat, happy and behind bars.
I started to almost miss
the god forsaken place
in the cab headed away
from downtown LA
en route to the suburb
where my uncle
reluctantly said
I could sleep
on his couch.
That night I had to start
proving that my brain
mattered more than
the way I treated it
with the disintegration
of what I was really made of:
the armor I inherited
with a straight poker face
and everything my father
taught me in his old prison
stories of bad food,
toilet hooch, racism,
murder, riots, lock down
and solitary confinement,
but he never mentioned
brain matter, which
I want to ask him
about while lung cancer
brings his life sentence
to a close as he digests
his last supper and the epic
wrongs of his life
over a glass of toilet hooch
he uses to forget and come
as close to death in hot pursuit
of the double dragon
who ran off with my
father’s brain to another
place that doesn’t matter. 

Kevin Ridgeway lives and writes in Long Beach, CA. He is the author of the poetry collection "Too Young to Know" (Stubborn Mule Press). His work has appeared or is forthcoming in Slipstream, Chiron Review, Nerve Cowboy, San Pedro River Review, Main Street Rag, Trailer Park Quarterly, The Cape Rock, Spillway, Up the River, Suisun Valley Review, KYSO Flash, Home Planet News, Cultural Weekly, Big Hammer, Misfit Magazine, The American Journal of Poetry and So it Goes: The Literary Journal of the Kurt Vonnegut Memorial Library.

Paul Ilechko

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