John Berryman's Dream Song 131

This is one of my favorites from Berryman--I re-read him regularly--and now that NaPo is over (well, I'm giving up, anyway) I'll be back to posting regularly with ephemera and poems. During NaPo I read Berryman and Kim Addonizio and Maurice Manning and Rae Armantrout and Robin Blaser. Blaser's the only one I didn't really get into, but that may be a factor of my dipping into and out of his Collected at random instead of reading through conscientiously as I usually do.

Dream Song 131: Come Touch Me Baby In His Waking Dream by John Berryman

Come touch me baby in his waking dream
disordered Henry murmured. I’ll read you Hegel
and that will hurt your mind
I can’t remember when you were unkind
but I will clear that block, I’ll set you on fire
along with our babies

to save them up the high & ruined stairs,
my growing daughters. I am insane, I think,
they say & act so.
But then they let me out, and I must save them,
High fires will help, at this time, in my affairs.
I am insane, I know

and many of my close friends were half-sane
I see the rorschach for the dead on its way
Prop them up!
Trade me a lesson, pour me down a sink
I swear I’ll love her always, like a drink
Let pass from me this cup

NaPo #17

Getting tired.


NaPo #17

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NaPo #16

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NaPo #15

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NaPo #14

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NaPo #13

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NaPo #12

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NaPo #11

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NaPo #10

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NaPo #9

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NaPo #8

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NaPo #7

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NaPo #6

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Poet Audio for People Not At AWP

Self-Portrait: Lynn Behrendt

Enjoy the silence. Or break it with some poetry audio.

Via Geof Huth, here is Lynn Behrendt reading 'I am an Asshole' and 'Luminous Flux,' the former of which is very funny and savage and altogether worth your time. Luminous Flux was published in an edition of 20, and so is impossible to find, sadly for you and me. You can find more audio from the Segue Series here.

NaPo #5

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NaPo #4

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Napo #3

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NaPo #2

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Daisy Fried on How a Poem Happens: Interesting Uncertainty

I have not found better words than hers to explain how I go about writing a poem. This Q/A is from Brian Brodeur's wonderful blog, How a Poem Happens.

Could you talk about fact and fiction and how this poem negotiates the two?

All of my poems are fiction, regardless of whether what “I” says happened really happened. Ron Silliman wrote at his blog something like that my poems are in the persona of myself. Which seems right, though I had never thought of it that way explicitly before. I am aware that the appearance of autobiography makes people want to know if it’s true. Obviously I’m willing to exploit that desire in my poems. I think I may be more involved than many poets in using fictional techniques—the kinds of things that novel and short-story writers think about. But fact or fiction, telling what happened is not the point of my poems. I use story, and the word “I,” as strategies toward getting the poems to a place of what I hope is interesting uncertainty.

I write poems and stories with the same impulse, I think, except with poetry I feel a duty to use better language (at least part of the point with poetry) and to get in and out within a short period of time, whereas in fiction the story I'm trying to tell is most important, so I think less about language and more about how the story works on the reader, or doesn't work well enough, as the case may be. I don't feel as if I'm pointed toward 'interesting uncertainty,' though. I'm not entirely sure what that means. I think it's near-impossible, in a poem of specific details, the kind I like, to end up with a feeling of 'interesting uncertainty.' But I need to think about it more.


And as it is the first day of NaPoWriMo, I present here Daisy Fried's Exercises, via Amy King.

1. Write a ten-line poem in which each line is a lie.

2. Write a poem that tells a story in 18 lines or less, and includes at least four proper nouns.

3. Write a poem that uses any of the senses EXCEPT SIGHT as its predominant imagery.

4. Write a poem inspired by a newspaper article you read this week.

5. Write a poem without adjectives.

6. Ask your roommate/neighbor/lover/friend/mother/anyone for a subject (as wild as they want to make it) for a ten-minute poem. Now write a poem about that subject in ten minutes; make it have a beginning, a middle and an end.

7. Write the worst poem you possibly can. Now edit it and make it even worse.

8. Poem subject: A wind blows something down. Or else it doesn’t. Write it in ten minutes.

9. Write a poem with each line, or at least many of the lines, filling in the blanks of “I used to________, but now I_________.”

11. Write a poem consisting entirely of things you’d like to say, but never would, to a parent, lover, sibling, child, teacher, roommate, best

friend, mayor, president, corporate CEO, etc.

12. Write a poem that uses as a starting point a conversation you overheard.

13. First line of today’s poem: “This is not a poem, but…”

14. Write a poem in the form of either a letter or a speech which uses at least six of the following words: horses, “no, duh,” adolescent, autumn

leaves, necklace, lamb chop, Tikrit, country rock, mother, scamper, zap, bankrupt. Take no more than 13 minutes to write it.

15. Write a poem which includes a list or lists-shopping list, things to do, lists of flowers or rocks, lists of colors, inventory lists,

lists of events, lists of names…

16. Poem subject: A person runs where no running is allowed. Write it in ten minutes.

17. Write a poem in the form of a personal ad.

18. Write a poem made up entirely of questions. Or write a poem made up entirely of directions.

19. Write a poem about the first time you did something.

20. Write a poem about falling out of love.

21. Make up a secret. Then write a poem about it. Or ask someone to give you a made-up or real secret, and write a poem about it.

22. Write a poem about a bird you don’t know the name of.

23. Write a hate poem.

24. Free-write for, say, 15 minutes, but start with the phrase “In the kitchen” and every time you get stuck, repeat the phrase “In the

kitchen.” Alternatively, use any part of a house you have lots of associations with-”In the garage,” “In the basement,” “In the bathroom,” “In the yard.”

25. Write down 5-10 words that sound ugly to you. Use them in a poem.

26. Write a poem in which a motorcycle and a ballerina appear.

27. Write a poem out of the worst part of your character.

28. Write a poem that involves modern technology-voice mail, or instant messaging, or video games, or… 29. Write a seduction poem in which somebody seduces you.

30. Radically revise a poem you wrote earlier this month.

NaPo #1

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