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Rusty Reviews: Instructions for the Proper Cremation of Your Grief, by Amber Decker

Instructions for the Proper Cremation of Your Grief Amber Decker $8.99 62 pages Folkways Press 2022 I've followed Amber Decker and her poetry for some time now with respect and admiration. Instructions for the Proper Cremation of Your Grief, is a smartly produced 4-by-6 perfect-bound chapbook from Folkways Press, which  reads as well as it looks. Take as an example the poem "Coal Miner's Daughter," a dangerous title with all of its cultural associations. Decker uses them to full advantage, the details of mystery beginning to coalesce and eventually blossom from the initial lines excerpted below to the in the final two lines of the poem: "the crooked gravestones/of every small-town churchyard." I am a lover of all the dark places the headlights of my car can never touch. My empty womb is jealous of the warm orchards where the black-eyed children of Appalachia gather at night to pick apples with their skeletal fingers by the light of the moon. ...

Mr. Rogers Kills Fruit Flies, by Scott Ferry, reviewed by Rusty Barnes

Mr Rogers Kills Fruit Flies Scott Ferry Main Street Rag 2020 53 pages $13 978-1-59948-825-7 Scott Ferry is a poet of lengthy breath and a surreal logic, used to reveal the intricacies of a mind gently turned on itself. The book is divided into three sections: Mr. Rogers kills fruit flies; how to cross eyelid bridge; Divination by; each with its own character and concerns. Early in the first section, narrated by historical figures in unusual situations, Ferry stopped my poetry-musing--that pleasant state wherein one thumbs the book lovingly, looking for the good word--with the beginning lines of 'Joseph Campbell dreams of war.' It started in the bathroom, mirror etched in ice,     the razor's rhetoric on jawline tearing up trees and children, and here in my home! But I cannot leave Jean unbeknown on the lanai. I look to the East, there is a mountain of bodies skinned bare like antelope. In the crater their identities cave in, obtund. The lava waves fragrant like hibiscus a...

A Quiet Ghost, by M.J. Arcangelini, reviewed by Rusty Barnes

M.J. Arcangelini A Quiet Ghost Luchador Press 62 Pages $13.00 reviewed by Rusty Barnes M.J. Arcangelini's  A Quiet Ghost is a quiet revelation. Through a series of short narrative poems, Arcangelini takes us through and beyond all the stresses that come with open-heart surgery. Even the epigraph from Moby Dick from which the book's title emerges, we see already the signs of a careful poetic mind setting a deliberate tone. In "Expiration Date" a poem which treats Arcangelini's heart as a product with a date beyond which lies death, the stanza is broken up by three indented instances of the words 'expiration date'  and more later on which serve to warn us that what is coming might uh, be grim. "Spread across three arteries,/repeated, a motif, a design, a sign,/my expiration date." We can see as the speaker does later on in the poem, this doom arising to greet him as the speaker observes the doctor, . . .he had/ seen my expiration date and/ he was ...

Susan Tepper's Confess, reviewed by Rusty Barnes

Susan Tepper Confess $8.00  ISBN:978-1-950063-38-3  21 pages Cervena Barva Press Susan Tepper's Confess is a small intimate gathering of reflective poems from Cervena Barva Press published in 2020. One of the many problems with collecting a group of poems is that you have to decide if you want a book with some unity, not a miscellany. Miscellanies are all right, certainly, and they comprise most books of poetry printed today, but you want another unifying factor. The title CONFESS  lends itself to the illusion of forward momentum. What is the narrator confessing, and to what end? "I come to you broken/have been trying to say/all that is not the way/it shows on the surface," the narrator says opening the first poem. They follow this statement up with a nostalgic description of an old photo as an illustration of exactly how broken they are, with the placid surfaces of the photo's subjects--Victorian women--undermined by the fact that the narrator ha...

Book Review: Nostalgia and Ruin, by Cameron Mount

Nostalgia and Ruin 70 pages ISBN: 1365118002 independently published Publication Date: May 31, 2016 $15/5.38 reviewed by Rusty Barnes Cameron Mount's Nostalgia and Ruin is a great example of a transitional work. Mount is one half of the duo that runs the pulp magazine Broadswords and Blasters , and I get a sense that this book is very much the work of an excellent writer feeling out interesting ways what will become his permanent subject matter.    "Spring Break, The Unnamed Key," an example from early in the book, sets up reader expectations and follows through in a satisfying manner.  Simple declarative phrases set off the first half of the poem: "we took;" "we made;"we fished and caught;" we piled;" and so on, followed by simple but rich detail that gives us the feel of what camping on this unnamed key means for the poem's inhabitants, simply going through a day. "It wasn't long/before the drunk/and toba...

West Side Girl & Other Poems by Lauren Scharhag, reviewed by Rusty Barnes

Lauren Scharhag West Side Girl & Other Poems Self-published (available via Amazon ) 2013 $11.99 reviewed by Rusty Barnes West Side Girl & Other Poems by Lauren Scharhag assumes a lot of a reader. Plainly produced, the book has a cow on a pedestal on its cover, promising something earthy and plain, maybe, or--I hope not--an excess of irony, like Jim Harrison famously said, I'm a little tired of irony. But that's my problem. The poems' brief cover text says only that the poems were written from 2004-2013, exploring themes of womanhood, family and the poet's German-Mexican heritage. I could have been drawn in a little better, but I like a book already that says plainly what it is. "Good Bread," on the first page, is a solid poem. "Good woman, good bread,/snug in waxed paper,/clean sheets on the bed." I anticipate the rhyme scheme that never comes, but never get frustrated at its lack, or the knack, of starting with something ...

All New Live Nude Poems!

My wife and I, the poet Heather Sullivan, are changing Live Nude Poems. Instead of my inconsistent postings about poetry and its concerns, we've decided to  refocus LNP on other poets and their work.  Another poetry journal, yes, powered by Blogger, the kindness of our hearts, and a great deal of experience between us. Look for a manifesto soon.  If you have any questions, please mail us at livenudepoems@gmail.com.