Friday, October 25, 2019

Gary Powell

Corporate Warriors

We are profiles in likeness
in our gray business attire,
splash of color in our ties,
cell phone whining in our ears.

We have important places to be
as we careen through streets
and airports, teleconference
with peers, interface and meet.

We do it for our families, our companies
and our teams, for the false sense of
security that allows us to sleep through
the night. For the sweet suck of the deal.

We queue up at our cubicles, genuflect
and cross ourselves before the throne
of the corporate prophet, awaiting the
news: merger, acquisition, or divestiture.

And in the CEO’s name we pray:

This stock option is my body
Think of me when you eat.
This red ink is my blood
Think of me when you drink.

We are the gray men, the
hollow men, living in a dead
land, a land stuffed with IOUs
and motherfucking lawyers.

We are the in-between, the rut
and rub on the road from desire
to spasm. We are the gut wrench
of the downward trending Dow.

So:

Give us this day our daily bread, man,
and forgive us our debts, although we
will never forgive our debtors. For

shareholder value is the kingdom
and the power and the glory
and the stick with which
we beat the competition
into submission.

Gary V. Powell, a recovering lawyer, is currently a home chef and all-around handy-man. His fiction can be read in many literary journals including the Thomas Wolfe Review, Carvezine, Fiction Southeast, Atticus Review, Smokelong Quarterly, Best New Writing 2015, and Pisgah Review. His first novel, Lucky Bastard, was published by Main Street Rag Publishing (2012). Two collections of prize-winning and previously-published short stories and flash fiction, Beyond Redemption and Getting Even and Other Stories, were released in 2015 and 2019, respectively.

Friday, October 18, 2019

Brian Rihlmann

Prayer

if there’s a god
I have only one request 
and that is—
grant me eyes
to see in them
what I see
in a old farm truck
rusting in a field

how prisms 
shine through 
shattered glass

how wildflowers
sprout through holes
in the floorboards 

Brian Rihlmann was born in New Jersey and currently resides in Reno, Nevada.  He writes free verse poetry, much of it on the confessional side.  He has been published in Blognostics, Yellow Mama, Raven Cage Zine, Synchronized Chaos, Cajun Mutt Press, The Rye Whiskey Review, and others.

Sunday, October 13, 2019

Survival Tips for the Pending Apocalypse by Shawn Pavey, reviewed by Rusty Barnes

Survival Tips for the Pending Apocalypse
Shawn Pavey
154 pages
Spartan Press
May 30 2019
ISBN-10:1950380343
ISBN-13:978-1950380343
$15
reviewed by Rusty Barnes


Shawn Pavey's book Survival Tips for the Pending Apocalypse has been on my radar for some time. I travel in or closely observe the outskirts of a lot of different poetry scenes, and one of them is the midwestern ethos of Spartan Press and Stubborn Mule, among some others I am unfamiliar with yet. The poets strike me, in general. as fellow-travelers in the best sense of the word, with varied points of view united under an umbrella of beat poet, confessional poet, Tom Waits or Bukowski-oriented. Some of that can go a long way, if you know what I mean. I am pleased to report that among those fellow-travelers Shawn Pavey is someone well worth paying more attention to.

In his introduction, Mike James rightly--after reading it , how could you not?-- mentions the first quietly strong poem of this long but never meandering collection. "Autobiography" tells us more about the speaker in a few lines than we get in most poems. We know he leads "a quiet life in my place every day," "middle-aged and soft around the middle in the middle of America. where he is "fair to middlin." Note here the narrator as someone who first of all is a poet, a listener to all the things we say to one another in our own complex autobiographies, where the path of admitting everything, bad and good, brings out vulnerability, a necessity for a poet especially.

Speaking of necessities, In the title poem "Survival Tips for the Pending Apocalypse" Pavey's tips include stocking up on Texas Pete Hot Sauce plus cabbage and carrots for cole slaw, "because you can't descend/ into full-blown goddamned savagery just yet." This very funny poem finishes strong:

Stock up on ten-penny nails
and hundred-dollar bourbon:

nails to fix the shit you know will break
and bourbon to fix the shit you can't.

Get used to drinking hundred-dollar bourbon.

I don't know about you, but when the shit goes down I'm headed for Pavey's fallout shelter. He'll have the good stuff. I'll trade him a couple three banty roosters for a bottle of Maker's Mark. It's the apocalypse after all. I'll go cheap.

I should mention before closing, too, that there are good lines on nearly every page. When mentioning the aftereffects of a lunar eclipse, we get lines that "[fill] a hole in the sky as big as life/as big as all this", or later on in another poem where "seeds of/ prairie grasses crack secret in the loam, yearn for/wildfires of blanketing shoots." You might quibble with breaking the line on 'of' there but the overall impact is solid.

Along with good lines, the poems fairly burst with insight. Some of them are the tried and trusted of poets everywhere, but some snap with ferocity as in "Hollow Point" where the poet repeats "all the hollow points/ hollowing bleeding bodies/these hallowed bodies of the dead." Some linger in the mind, as the aftereffects of a young boy soft-shoeing on a nearly finished sand mandala burst bright for a moment and then fade. All in all, really fine lines in good, often great poems.

This is poetry that wears its influences boldly, without shame, and will reward a patient reader who can dig an earthy poem next to a sentimental poem, meteor showers next to burst mandalas, side by side with prairie wisdoms, all of them parts of a solid collection I'll return to again and again. 4.0 stars.

Friday, October 11, 2019

Ryan Quinn Flanagan

Two Bottle Caps and a Gas Station Receipt

I reach down into my pocket
thinking twisted blow up dolls
back into balloon animals.
Feeling around for my wallet
that is a no show. 
Just two bottle caps and a gas
station receipt.
I toss the receipt
and finger around the bottle caps
like those Chinese stress balls
that professional assholes swear by.
The heavy melanoma sun over my face.
A rock in my shoe that makes me
walk with a limp I don’t have.

Ryan Quinn Flanagan is a Canadian-born author residing in Elliot Lake, Ontario, Canada with his wife and many bears that rifle through his garbage.  His work can be found both in print and online in such places as: Evergreen Review, The New York Quarterly, Rusty Truck, Live Nude Poems, Red Fez, and The Oklahoma Review.

Friday, October 4, 2019

Doug Holder

We Hold Hands

At dusk
we hold hands.
We hold hands,
with  fading
tarnished rings.

As if some
unexpected storm
could suddenly
separate us forever.

We listen to the muted horn
the hint of some heroin-tainted voice
we clink our cocktails
the house cat
another appendage between us.

And the light grows dimmer
as it always does.

Doug Holder is the founder of the Ibbetson Street Press of Somerville, MA. He has recently collaborated with playwright Lawrence Kessenich on a new play based on a short story he wrote "The Patient." It is going to be published by the Presa Press, and  has had a staged reading at the Playwright's Platform in the Boston area. Holder's poem " Oh Don't She Said, It's Cold" adapted into a song by singer/songwriter Jennifer Matthews, will be preformed by the dance company "text moves" in the fall at various venues in the area. Holder is the arts editor of The Somerville Times, and teaches writing at Bunker Hill Community College in Boston, and Endicott College in Beverly, MA. He holds an MLA in literature from Harvard University. (Photo is a painting by Bridget S. Galway.)

Scott Ferry

7. the black bird is on the sign then it isn't the sign still rocks as proof memory is silver chalk identity a shrinking list i am a thi...