Skip to main content

Gary Powell

Corporate Warriors

We are profiles in likeness
in our gray business attire,
splash of color in our ties,
cell phone whining in our ears.

We have important places to be
as we careen through streets
and airports, teleconference
with peers, interface and meet.

We do it for our families, our companies
and our teams, for the false sense of
security that allows us to sleep through
the night. For the sweet suck of the deal.

We queue up at our cubicles, genuflect
and cross ourselves before the throne
of the corporate prophet, awaiting the
news: merger, acquisition, or divestiture.

And in the CEO’s name we pray:

This stock option is my body
Think of me when you eat.
This red ink is my blood
Think of me when you drink.

We are the gray men, the
hollow men, living in a dead
land, a land stuffed with IOUs
and motherfucking lawyers.

We are the in-between, the rut
and rub on the road from desire
to spasm. We are the gut wrench
of the downward trending Dow.

So:

Give us this day our daily bread, man,
and forgive us our debts, although we
will never forgive our debtors. For

shareholder value is the kingdom
and the power and the glory
and the stick with which
we beat the competition
into submission.

Gary V. Powell, a recovering lawyer, is currently a home chef and all-around handy-man. His fiction can be read in many literary journals including the Thomas Wolfe Review, Carvezine, Fiction Southeast, Atticus Review, Smokelong Quarterly, Best New Writing 2015, and Pisgah Review. His first novel, Lucky Bastard, was published by Main Street Rag Publishing (2012). Two collections of prize-winning and previously-published short stories and flash fiction, Beyond Redemption and Getting Even and Other Stories, were released in 2015 and 2019, respectively.

Comments

Popular posts from this blog

Ed Dorn's # 22 From Twenty-four Love Poems

                                               from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disappear after use. In any case, Dorn is well worth the reading and re-reading, for me, though he'll never become one of my favorites. And doesn't every poet want that, dead or alive? ;-) #22 The agony

Mike James

 The River’s Architecture for Louis McKee, d. 11/21/11 The river has a shape you follow with your whole body: shoulder, footstep, and ear- those who know how to listen hear how river wind is like breath, alive in lung and line. Mike James makes his home in Murfreesboro, Tennessee. He has published in hundreds of magazines, large and small, and has performed his poetry at universities and other venues throughout the country. He has published over 20 collections and has served as visiting writer at the University of Maine, Fort Kent. His recent new and selected poems, Portable Light: Poems 1991-2021, was nominated for the National Book Critics Circle Award. His last collection, Back Alley Saints at the Tiki Bar, was published in April by Redhawk. He currently serves as the Poet Laureate of Murfreesboro, TN.

Weldon Kees

Along with my Jack Gilbert kick, I've been reading the poems of Weldon Kees as well as the secondary material (very little of which seems to be available in book form), which is too bad. There's a pretty good book called Weldon Kees and the Mid-Century Generation: Letters from 1935 to 1955 , which is structured in such a way that it seems more like a biography in letters. Normally, a writer's letters are collected and footnotes are rare except to sometimes identify confusing timelines. Robert Knoll includes more narrative about Kees than it does letters. I think otherwise it might not have made a full book, otherwise.Very interesting anyway. Kees seemed poised for mainstream uber-success at 41 years old when he simply disappeared.  His car, with the keys still in it, was found near the Golden Gate bridge, but with  no trace of whether he committed suicide or simply ran off to Mexico, as he talked of frequently in his last years.  James Reidel's book Vanished Act: t