Skip to main content

Gary Powell

Corporate Warriors

We are profiles in likeness
in our gray business attire,
splash of color in our ties,
cell phone whining in our ears.

We have important places to be
as we careen through streets
and airports, teleconference
with peers, interface and meet.

We do it for our families, our companies
and our teams, for the false sense of
security that allows us to sleep through
the night. For the sweet suck of the deal.

We queue up at our cubicles, genuflect
and cross ourselves before the throne
of the corporate prophet, awaiting the
news: merger, acquisition, or divestiture.

And in the CEO’s name we pray:

This stock option is my body
Think of me when you eat.
This red ink is my blood
Think of me when you drink.

We are the gray men, the
hollow men, living in a dead
land, a land stuffed with IOUs
and motherfucking lawyers.

We are the in-between, the rut
and rub on the road from desire
to spasm. We are the gut wrench
of the downward trending Dow.

So:

Give us this day our daily bread, man,
and forgive us our debts, although we
will never forgive our debtors. For

shareholder value is the kingdom
and the power and the glory
and the stick with which
we beat the competition
into submission.

Gary V. Powell, a recovering lawyer, is currently a home chef and all-around handy-man. His fiction can be read in many literary journals including the Thomas Wolfe Review, Carvezine, Fiction Southeast, Atticus Review, Smokelong Quarterly, Best New Writing 2015, and Pisgah Review. His first novel, Lucky Bastard, was published by Main Street Rag Publishing (2012). Two collections of prize-winning and previously-published short stories and flash fiction, Beyond Redemption and Getting Even and Other Stories, were released in 2015 and 2019, respectively.

Comments

Popular posts from this blog

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully --I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every ti...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...

PRYING, Jack Micheline, Charles Bukowski, Catfish McDaris, a Review

Roadside Press $18.00 https://www.magicaljeep.com/product/prying/71 Limited Edition of 69 The three poets nesting cheek by jowl in this fetching 2022 reprint of the 1997 Four-Sep Publications chapbook Prying from small press dynamo Michele McDannold's Roadside Press will be familiar to anyone paying attention to even the tiniest of the outlaw poetry scene in the last 50 or so years: Charles Bukowski, Catfish McDaris and Jack Micheline. Bukowski and Micheline need little introduction; their long shadows hover over the outlaw poetry world even now years after their deaths. And the third, the only living poet of the three within, Catfish McDaris, has been building his own small press reputation with considerable success, for nearly as long as the former men. Illustrations are from Scott Aicher. It's most fun to talk about the living McDaris. He appeared and appears so widely it's difficult to keep track and critique, or not, but as his portion of the cover copy says, he doesn...