Rusty Reviews: Instructions for the Proper Cremation of Your Grief, by Amber Decker

Instructions for the Proper Cremation of Your Grief

Amber Decker

$8.99
62 pages

Folkways Press

2022

I've followed Amber Decker and her poetry for some time now with respect and admiration. Instructions for the Proper Cremation of Your Grief, is a smartly produced 4-by-6 perfect-bound chapbook from Folkways Press, which reads as well as it looks.

Take as an example the poem "Coal Miner's Daughter," a dangerous title with all of its cultural associations. Decker uses them to full advantage, the details of mystery beginning to coalesce and eventually blossom from the initial lines excerpted below to the in the final two lines of the poem: "the crooked gravestones/of every small-town churchyard."

I am a lover of all the dark places

the headlights of my car can never touch.

My empty womb is jealous

of the warm orchards

where the black-eyed children

of Appalachia gather at night

to pick apples

with their skeletal fingers

by the light of the moon.

These lines, fecund with possibility, highlight a collection rich in detail and a lyrical expression for which many poets would extract their eyeteeth. Toward the end of the book, in "Elegy," the narrative opens with "grief knocking/at the doorways of my eyes," and whose "bones [are] busy trying to climb out of my skin." There's a texture of felt-life detail here that both impress and express, shock and awe, in demotic lyrics that go forthrightly from a female persona and assail with words an imagined world, resolving it in twice earned–at least– emotion. This is a fine chapbook, in short.

Comments

Ed Dorn's # 22 From Twenty-four Love Poems

from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disappear after use. In any case, Dorn is well worth the reading and re-reading, for me, though he'll never become one of my favorites. And doesn't every poet want that, dead or alive? ;-) #22 The agony

Jim Daniels

Half Days My daughter, thirteen, pale shred of herself, fought an unidentified infection in her spine as it softened her discs into disappearance. I’d unread that story if she were young and still listened to lullabies. After she got discharged, I set an alarm for two a.m. each night to shoot antibiotics into her port while she slept, her limp arm resting in my hand. Her return to school: half days—follow my dotted line smearing across months of sleepless breadcrumbs— at noon I idled high, anxious in the school driveway rattling off the latest test results in the zero gravity of fear. She startled me with the brittle thunk of the car door slam, then snapped at me for staring at her friends as they strolled across the street to the cafeteria, creeping them out, she said, embarrassed by illness like hard acne or a blooming hickey, wrong music or flakey hair, or the tacky middle-school jumper she no longer had to wear. I was there to drive her to

Paul Blackburn and Sexism

How does one respond to sexism in poets whose work seems to be filled with it, like Blackburn? The quick answer most people would give is: ignore it. Yet here I am, reading more and more, and yes, enjoying, the supposedly sexist work of Paul Blackburn and wondering why there isn't much if any criticism of his important work in the late 50s and 60s, when he served as gatekeeper and recorder of many readings which have helped establish the avant-garde presence and reading scene in New York as well as given us great historical insight into the poets associated at that time with the New York scene. And of course I'm thinking about his poems, which kept him in the middle of things as a talent in his own right. It's not difficult, unfortunately to see why he's not read, and that makes me sad. His poetry is worth more than a few cursory footnotes to the era. I've come to the conclusion now, after dipping into the collected poems at length, but randomly, and reading fo

Live Nude Poems

Search This Blog