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In the Midst of NaPoWriMo

sit yourself back for some good reading. Keep the fire stoked. Here's one I bet a bunch of you would like, Trevino L. Brings Plenty's Real Indian Junk Jewelry . Adrian Louis brought the book to my attention, and I'm so glad. Brings Plenty is the real deal. Find out more at http://www.trevinobringsplenty.com/ . Trevino L. Brings Plenty is a poet and musician who lives, works, and writes in Portland, OR. He is singer/songwriter/guitarist for the musical ensemble Ballads of Larry Drake. He has read/performed his work at poetry festivals as far away as Amman, Jordan and close to his home base at Portland’s Wordstock Festival. In college, Trevino worked with Primus St. John and Henry Carlile for this poetry work, studied with Tomas Svoboda for music composition, and Jerry Hahn for Jazz guitar.  Trevino is an American and Native American; a Lakota Indian born on the Cheyenne River Sioux Reservation, South Dakota, USA. Some of his work explores the American Indian identity in ...

More on Bill Knott, from John Cotter

Why isn't Bill Knott better known? John Cotter has part of the answer , at least, at the Poetry Foundation . Bill Knott  is probably the closest thing the American poetry establishment has to a rebel. Over the course of his career he has published with Farrar, Straus and Giroux, BOA Editions, and Random House, but his most recent books are all self-published. Among them,  Collected Poems 1960 – 2013  is a coffee-table-sized edition; its contents were simultaneously (and briefly) made available in their entirety on Knott’s website before it was taken down, along with poems from a smaller but still considerable collection,  New Poems from the Last Six Years . Because they are as cheaply produced as possible, and promoted only by Knott himself, the new books (containing no index or table of contents) stand as a kind of rebuke to the gorgeously produced, deckle-edged volumes from major publishers, and also to the often fetishistically beautiful volumes by smaller ...

My Pore Non-Blogging Persona Has Something Impotent Ta Say

Hi. nice to see you. This is an issue near and dear to me, like a deer I shot. But I've never shot a deer. And this is why you should never trust a poet, or rather, you should not believe a poem's content is coterminous with the poet's life experience. I am not writing an autobiography in my poems. If I could even decide what I was trying to do with/in a poem, I would be happy. I try not to think while I'm writing or afterward. Or at all, except maybe when revising. More articulate poets--Lynn Melnick/Cate Marvin/Amy King--than I have discussed this. See here and here and here . Some excerpts out of context, but piquing nonetheless: After a poetry reading I gave a couple of months ago, a stranger came up to a male poet I read with and asked him how he landed upon his chosen form for the lyric, “I”-based poems in his book. The same stranger then turned to me and asked, ostensibly in earnest, if I was “okay now.” My poems had him “worried.” I will ge...

Poetry from Adrian Louis

This is how a poem means, goddamnit. From Toe Good Poetry In those years of your dying I remember our little green desk lamp, its chain broken so it had to be turned off & on by twisting the bulb in its socket. Sometimes it went off by itself & we’d be engulfed in the dark poverty we were born into. That was how I wanted it to be when your breathing stopped. Quick, painless, silent, poor. That is how I wanted it to be . I wanted to be unable see your face & then I could lie & tell myself I was too old to be afraid of the dark, too old to fear Satan’s python penis splitting the atoms of our soul. It’s been six years since you left. I sit beside myself, brought here to these Midlands of the mundane by the shibboleth of the Chevrolet. In the oncologist’s waiting room there are little green desk lamps just like the one we had, but these do not flicker like my health & the health of all in this room seem...

ARIEL Available on Amazon!

ARIEL now on Amazon . Kindle and NOOK to follow.