Skip to main content

Poems from Thieves Jargon

I like my poems; I guess that's all I can say about them. They're not for everybody.


Car-tire against gravel,
rough smell of beer
and roasted corn,
heat-lightning like a sine
wave loops across a pit
of gray sky between pole-light
and the quiet barn;
the low of cows,
moonshine slips in like a tongue
through the treeless hedge fence;
the empty faces of women glow,
a child in shirtsleeves gums an apple
while the mutt runs a rough circle
around the feet of your friends,
pissing every time someone raises a hand.
Your wife says fuck it. Goes to bed.
Shuts the door. Says go ahead and drink.
Be with your friends.

Wrong words get said.
Your head breaks like a fist
against a stone wall,
knuckles feeding fire.
Somewhere the swollen lips
of angels call you home,
but before you go smash-mouthed
in to the house to watch your kids breathe,
stagger into your marital bed,
you tongue-kiss a seventeen-year-old,
realize the sweetness in her mouth
is your own blood.




Don't call me late again, knocking your drunk
head on my door. You're a cracked engine block
sitting in the car like always but useless as tits
on a boar hog at least from the outside.
You burned the eggs when I let you cook
that one time and we ended up eating
bear-claws for breakfast and cold coffee.
You shook so badly you couldn't press
the button on the microwave and your whole life
dribbled out of you in sobs like you'd pissed
down my leg. I can only do so much for you,
prop you up when you're about to hit the floor,
buy you Cokes to wet your chapped tongue,
clean your pretty blue cowboy boots of puke,
curse when you kick them against the divot
in the floor near the entrance of my trailer.
You need the heat turned up high and blankets
crowded between your thighs. I left your bra
and panties on last night; I didn't want you
to think I'd taken anything from you but now
I've pretty much decided: I wouldn't piss on you
if you was on fire. This time it's all on you.
I've had enough. I'm only interested in how you burn.


Dear So and So: a gray lick of water pounds your bare feet.
The ocean's heart opens in front of you, a failed embrace.
Cold salt and hard driftwood slam in the eddy between
two immense boulders and a dinghy shudders in its shallow
mooring. The crack of rock on rock fills the air.

You can't write a fair poem about the ocean without the death
of something. Oceans hear you but take revenge in their own
slow time. You shouldn't be out in this rain and wind but yeah:
there it is. I snapped the picture. The very last one.

Walk into a redneck bar in mid-coast Maine in 2022.
In flip-flops and tight jeans, she'll be numbing her ganglia
with gin or by the memory of you putting up sable curtains
on rods at the apartment with the lobster traps outside;

the way you fucked her raw on the tar roof with no blanket;
she picked gravel from your knee abrasions with a whiskey-
soaked washcloth and your Buck knife's dulled blade; it'd been
years since that knife had been near a stone but she sat nude

at your feet. You felt the tips of her breasts glow. Strewn-haired
and damp with sex, she'll turn to you now, glass-tipped,
fornicatory in her slippery movements and she'll nod in disbelief.
It's 2022. 20 years of salt water spitting right in your damned eye.

Comments

Post a Comment

Popular posts from this blog

Ed Dorn's # 22 From Twenty-four Love Poems

                                               from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disappear after use. In any case, Dorn is well worth the reading and re-reading, for me, though he'll never become one of my favorites. And doesn't every poet want that, dead or alive? ;-) #22 The agony

Jim Daniels

Half Days My daughter, thirteen, pale shred of herself, fought an unidentified infection in her spine as it softened her discs into disappearance. I’d unread that story if she were young and still listened to lullabies. After she got discharged, I set an alarm for two a.m. each night to shoot antibiotics into her port while she slept, her limp arm resting in my hand. Her return to school: half days—follow my dotted line smearing across months of sleepless breadcrumbs— at noon I idled high, anxious in the school driveway rattling off the latest test results in the zero gravity of fear. She startled me with the brittle thunk of the car door slam, then snapped at me for staring at her friends as they strolled across the street to the cafeteria, creeping them out, she said, embarrassed by illness like hard acne or a blooming hickey, wrong music or flakey hair, or the tacky middle-school jumper she no longer had to wear. I was there to drive her to

Paul Blackburn and Sexism

How does one respond to sexism in poets whose work seems to be filled with it, like Blackburn? The quick answer most people would give is: ignore it. Yet here I am, reading more and more, and yes, enjoying, the supposedly sexist work of Paul Blackburn and wondering why there isn't much if any criticism of his important work in the late 50s and 60s, when he served as gatekeeper and recorder of many readings which have helped establish the avant-garde presence and reading scene in New York as well as given us great historical insight into the poets associated at that time with the New York scene.  And of course I'm thinking about his poems, which kept him in the middle of things as a talent in his own right. It's not difficult, unfortunately to see why he's not read, and that makes me sad. His poetry is worth more than a few cursory footnotes to the era. I've come to the conclusion now, after dipping into the collected poems at length, but randomly, and reading fo