Monday, May 24, 2010

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully--I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every time I open the book, so it's never far from me.




Under The Maud Moon

1

 On the path
by this wet site
of old fires -
black ashes, black stones, where tramps
must have squatted down,
gnawing on stream water,
unhouseling themselves on cursed bread,
failing to get warm at a twigfire -

I stop,
gather wet wood,
cut dry shavings, and for her,
whose face I held in my hands
a few hours, whom I gave back
only to keep holding the space where she was,

I light
a small fire in the rain.

The black
wood reddens, the deathwatches inside
begin running out of time, I can see
the dead, crossed limbs
longing again for the universe, I can hear
in the wet wood the snap
and re-snap of the same embrace being torn.

The raindrops trying
to put the fire out
fall into it and are
changed: the oath broken,
the oath sworn between earth and water, flesh and spirit, broken,
to be sworn again,
over and over, in the clouds, and to be broken again,
over and over, on earth.

2

I sit a moment
by the fire, in the rain, speak
a few words into its warmth -
stone saint smooth stone– and sing
one of the songs I used to croak
for my daughter, in her nightmares.

Somewhere out ahead of me
a black bear sits alone
on his hillside, nodding from side
to side. He sniffs
the blossom-smells, the rained earth,
finally he gets up,
eats a few flowers, trudges away,
his fur glistening
in the rain.

The singed grease streams
out of the words, the one
held note
remains – a love-note
twisting under my tongue, like the coyote’s bark,
curving off, into a
howl.

3

A round-
cheeked girlchild comes awake
in her crib. The green
swaddlings tear open,
a filament or vestment
tears, the blue flower opens.

And she who is born,
she who sings and cries,
she who begins the passage, her hair
sprouting out,
her gums budding for her first spring on earth,
the mist still clinging about
her face, puts
her hand into her father’s mouth, to take hold of
his song.

4

It is all over,
little one, the flipping
and overleaping, the watery
somersaulting alone in the oneness
under the hill, under
the old, lonely bellybutton
pushing forth again
in remembrance,
the drifting there furled in the dark,
pressing a knee or elbow
along a slippery wall, sculpting
the world with each thrash-the stream
of omphalos blood humming all about you.

5

Her head
enters the headhold
which starts sucking her forth: being itself
closes down all over her, gives her
into the shuddering
grip of departure, the slow,
agonized clenches making
the last molds of her life in the dark.

6

The black eye
opens, the pupil
droozed with black hairs
stops, the chakra
on top of the brain throbs a long moment in world light,

and she skids out on her face into light,
this peck
of stunned flesh
clotted with celestial cheesiness, glowing with the astral violet
of the underlife. And as they cut

her tie to the darkness
she dies
a moment, turns blue as a coal,
the limbs shaking
as the memories rush out of them. When

they hang her up
by the feet, she sucks
air, screams
her first song – and turns rose,
the slow,
beating, featherless arms
already clutching at the emptiness.

7

When it was cold
on our hillside, and you cried
in the crib rocking
through darkness, on wood
knifed down to the curve of the smile, a sadness
stranger than ours, all of it
flowing from the other world,
I used to come to you
and sit by you
and sing to you. You did not know,
and yet you will remember,
in the silent zones
of the brain, a specter, descendant
of the ghostly forefathers, singing
to you in the nighttime -
not the songs
of light said to wave
through the bright hair of angels,
but a blacker
rasping flowering on that tongue.

For when the Maud moon
glimmered in those first nights,
and the Archer lay
sucking the icy biestings of the cosmos,
in his crib of stars,

I had crept down
to riverbanks, their long rustle
of being and perishing, down to marshes
where the earth oozes up
in cold streaks, touching the world
with the underglimmer
of the beginning,
and there learned my only song.

And in the days
when you find yourself orphaned,
emptied
of all wind-singing, of light,
the pieces of cursed bread on your tongue,

may there come back to you
a voice
spectral, calling you
sister!
from everything that dies.

And then
you shall open
this book, even if it is the book of nightmares.

No comments:

Post a Comment