The family took a drive today, and this is where we went: Charles Olson's Gloucester home. The remainder of these pics are mostly the view from the house, or the house itself. You'll see the plaque on the wall in a few of the shots. It was a fun trip.
If you want more Olson photos and ephemera, go here.
My mother made herself the deer with a broken leg We saw a deer through the pane into someone else’s yard. The leg moved like a tube sock pinned to the hip and half filled with sticks. I did not like to see it suffer, either. She was upset —my mother —that no one helped the doe. Was it a mother, too? As if we were the first to observe the scene. We weren’t. All had been told to let her be. My mother had suffered a destruction of the self, a divorce, and no one cared. That wasn’t true. We were grown, on our own. I agree it was hard. Yet in those moments of a cold November day, we watched a doe, disabled and enduring, walk across a yard and eat a hedge. I wish she could have seen it like that. Amy Holman is the author of the collection, Wrens Fly Through This Opened Window (Somondoco Press, 2010) and four chapbooks, including the prizewinning Wait for Me, I’m Gone (Dream Horse Press, 2005). Recent poems have been in or accepted by Blueline,
Not Just Another Playlist Often, I sit in my swivel chair looking out the window, while jazz, country, or rock music plays. This pleasure goes on for many hours a mystic trance of sorts streaming—the glue maintaining my soul. I turn the best songs into playlists (once we called them mix tapes) puzzling over the perfect order. Does Satchmo’s “What a Wonderful World” kick off my latest list or make it the big soulful closer? And does “Mack the Knife” go higher in the set than “Summertime?” That’s an Ella Fitzgerald duet! “Foolishness? No, it’s not” whether you are climbing a tree to count all the leaves or tapping to beats. These are the joys that bring inner peace and balance (to a cold universe) lifting spirits skyward. David Oliver Cranmer ’s poems, short stories, articles, and essays have appeared in publications such as Punk Noir Magazine , The Five-Two: Crime Poetry Weekly , Needle: A Magazine of Noir , LitReactor , Macmillan’s Criminal Element , and
Grief (for J’uan) Maybe we turn into clouds of reefer Particulates coating the lungs of the people thinking about us First and secondhand smoke Clinging to the frizzing gray locs of the women mourning us Or maybe we are in the splashes of Hennessey Swirling in the bottoms of Styrofoam cups A bad burn in the throats of our brothers Something to remember us by On the way back up. Maybe we are still here. In the way the candles keep going out In the way they call out to God. If they only looked up they could see our eyes Shining through the branches and glittering through the haze Below the stars. Maureen O'Leary lives in Sacramento, California. Her work appears in Coffin Bell Journal, Bandit Fiction, The Horror Zine, Ariadne Magazine, and Sycamore Review. She is a graduate of Ashland MFA.