Joan Houlihan’s third book, The Us, is a fifty-one page sequence of poems recounting the story of an imagined pre-historical culture. The narrative focuses on one of the culture’s members in particular—in a sense, its first true individual—“ay.” Although the book is mythological in its scope, it is lyric rather than epic in its approach, proceeding not with heroic pomp and encyclopedic comprehensiveness but instead with lyric delicacy and attention to carefully chosen particulars. The Us is not monumental, nor is it meant to be.
The Us begins with a table of contents, an “Argument” (which is in fact a synopsis), and a list of the cast of characters. These three elements serve as guide to a vaguely familiar yet unnamed country and time where the living is primitive and the people’s speech is rendered in an English unlike any known before—a broken, thorny idiom that scrambles the linearity we associate with traditional heroic narratives. It is the hobbled tongue of an anti-hero, and with The Us, Houlihan has given us an anti-epic with a scrappy, rebellious underdog placed front and center.
retaliation   it was two weeks  after you returned  from rehab, dad  I found the first  vodka bottle,  a Smirnoff pint,  stashed beneath  the driver's seat  of your Ford.   I propped the  empty on the  dashboard like  a bobble-head.   I didn't tell you  this then, but...   going into my room  and leaving my  dog-eared copies  of Penthouse on  my pillow next  to the Vaseline...   that was a  pretty good comeback.   Karl Koweski  is a displaced Region Day now living in a valley in rural Alabama. His latest collection of poetry from Roadside Press "Abandoned By All Things" is out now.
 


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