Skip to main content

Mark Borczon

Hunting Dinosaurs With A Needle In My Arm

I smoke roses to get high
And I get drunk on sun tea in the morning
I fix my arm tattoos with sharpie markers
And I collect artwork depicting bull fights
My joints ache as a side effect from
Medication for hypertension
My muscles ache as a side effect from
Back breaking, physical toil
I am fifty one years old
And I make twenty seven thousand
Dollars a year

I don’t believe in heaven
I do believe in vodka
I did quite well in college
But I struggle in life
I never, ever confuse
One with the other
I know that youth is privileged
And forgiving
I know that middle age
Is not

I no longer sleep on my mother’s couch
If you do I kindly invite you
To go fuck yourself
Time and endurance earn the right
To judge and so
I judge

If life is pass/ fail
Then everything leans on
Who reads the work
The bankers and the preachers
Grade the test
One way
The poets and the dreamers
Grade the test
Another way

I hunt dinosaurs with a needle
In my arm
And I sit with holocaust survivors
On the city bus
I drink rain water from a wooden
Barrel that held the body
Of a four year old girl
Killed by the Klan

Someday I’m gonna burn my work boots


Mark S. Borczon is a poet and caregiver from Erie, Pa. He will publish his first book of poetry in over twenty years through Nixes Mate press later this year or early next. He is the father of three awesome daughters who teach him love on a daily basis. In his free time he is a talented banjo player and a guitar player who knows how to find all the notes. He is terrified of the internet so this biography is written by his identical twin who loves him and admires his work as only a brother can.

Comments

Popular posts from this blog

David Oliver Cranmer

Not Just Another Playlist Often, I sit in my swivel chair looking out the window, while jazz, country, or rock music plays. This pleasure goes on for many hours a mystic trance of sorts streaming—the glue maintaining my soul. I turn the best songs into playlists (once we called them mix tapes) puzzling over the perfect order. Does Satchmo’s “What a Wonderful World” kick off my latest list or make it the big soulful closer? And does “Mack the Knife” go higher in the set than “Summertime?” That’s an Ella Fitzgerald duet! “Foolishness? No, it’s not” whether you are climbing a tree to count all the leaves or tapping to beats. These are the joys that bring inner peace and balance (to a cold universe) lifting spirits skyward. David Oliver Cranmer ’s poems, short stories, articles, and essays have appeared in publications such as Punk Noir Magazine , The Five-Two: Crime Poetry Weekly , Needle: A Magazine of Noir , LitReactor , Macmillan’s Criminal Element , and

Corey Mesler

  I think of you tonight, my Beats I think of you tonight, my Beats, and I am grateful.  I walked the narrow lanes of Academia and never felt at home. There were men and women in the flowerbeds, their heads full of theorems and poems. There were teachers who could lift their own weight in prose.  I was lonely. I was too loose.  I was a lad from the faraway country of Smarting. But I had you as so many before me. I had you and I knew secret things. I could count on you like a percussion. And now I want to say: I love you.  If not for you, what? I want to say. If Allen Ginsberg did not exist it would be necessary to invent him.  COREY MESLER has been published in numerous anthologies and journals including Poetry, Gargoyle, Five Points, Good Poems American Places, and New Stories from the South . He has published over 25 books of fiction and poetry. His newest novel, The Diminishment of Charlie Cain , is from Livingston Press. He also wrote the screenplay for We Go On , which won The Me

Amy Holman

My mother made herself the deer with a broken leg  We saw a deer through the pane into someone else’s yard. The leg moved like a tube sock pinned to the hip  and half filled with sticks. I did not like to see it suffer, either. She was upset —my mother —that no one helped  the doe. Was it a mother, too? As if we were the first to observe the scene. We weren’t. All had been told to let her be. My mother had suffered a destruction  of the self, a divorce, and no one cared. That wasn’t true.  We were grown, on our own. I agree it was hard. Yet  in those moments of a cold November day, we watched  a doe, disabled and enduring, walk across a yard and eat  a hedge. I wish she could have seen it like that. Amy Holman is the author of the collection, Wrens Fly Through This Opened Window (Somondoco Press, 2010) and four chapbooks, including the prizewinning Wait for Me, I’m Gone (Dream Horse Press, 2005). Recent poems have been in or accepted by Blueline,