Skip to main content

Hunger by John Grochalski

hunger

he’s eating something italian
out of a styrofoam container
over a blue garbage can that matches his coat
occasionally he lifts up a plastic jug to his mouth
and takes a big drink
of something cloudy that has noodles in it
he’s a discerning and somewhat picky eater
picking things out of the can
and discarding them at will
he likes the half-eaten bacon roll
but isn’t much for the unwrapped snickers
a few blocks ago i had a hunger that i couldn’t stand
and had to stop and split a butter bagel with my wife
after all, it had been ten hours since my last meal
and i wasn’t sure if i could hold out for lunch
he goes back to the italian food
which might be beef or chicken or, god forbid, veal
there’s not even an italian joint around this block
so someone had to go far to toss this out
but it’s his good luck that it was sitting there
on top of the half-drunk tub of coffee
and the barely touched pork fried rice
he has a beard like santa claus
that is wet from the cloudy noodle concoction
just like the front of his coat is soggy too
and as he chews he doesn’t even watch the crowd
glide by playing on cell phones
while i think for a single moment
about buying him a bagel and a coffee
but don’t because i’m a chicken
and i’d probably be doing it more for myself than him anyway
so i walk off and head into sunset park
so proud of my imaginary altruism
astounded that my stomach is still growling
taking pictures of that beautiful skyline of manhattan
there in the distance
looking fat enough to feed off of everyone
looking like a crystal or golden palace of plenty
depending on your position
and the tilt of the morning sun.


John Grochalski is the author of The Noose Doesn’t Get Any Looser After You Punch Out (Six Gallery Press 2008), Glass City (Low Ghost Press, 2010), In The Year of Everything Dying (Camel Saloon, 2012), Starting with the Last Name Grochalski (Coleridge Street Books, 2014), and the novels, The Librarian (Six Gallery Press 2013), and Wine Clerk (Six Gallery Press 2016).  Grochalski currently lives in Brooklyn, New York, where the garbage can smell like roses if you wish on it hard enough.

Comments

Popular posts from this blog

Ed Dorn's # 22 From Twenty-four Love Poems

                                               from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disappear after use. In any case, Dorn is well worth the reading and re-reading, for me, though he'll never become one of my favorites. And doesn't every poet want that, dead or alive? ;-) #22 The agony

Jim Daniels

Half Days My daughter, thirteen, pale shred of herself, fought an unidentified infection in her spine as it softened her discs into disappearance. I’d unread that story if she were young and still listened to lullabies. After she got discharged, I set an alarm for two a.m. each night to shoot antibiotics into her port while she slept, her limp arm resting in my hand. Her return to school: half days—follow my dotted line smearing across months of sleepless breadcrumbs— at noon I idled high, anxious in the school driveway rattling off the latest test results in the zero gravity of fear. She startled me with the brittle thunk of the car door slam, then snapped at me for staring at her friends as they strolled across the street to the cafeteria, creeping them out, she said, embarrassed by illness like hard acne or a blooming hickey, wrong music or flakey hair, or the tacky middle-school jumper she no longer had to wear. I was there to drive her to

Paul Blackburn and Sexism

How does one respond to sexism in poets whose work seems to be filled with it, like Blackburn? The quick answer most people would give is: ignore it. Yet here I am, reading more and more, and yes, enjoying, the supposedly sexist work of Paul Blackburn and wondering why there isn't much if any criticism of his important work in the late 50s and 60s, when he served as gatekeeper and recorder of many readings which have helped establish the avant-garde presence and reading scene in New York as well as given us great historical insight into the poets associated at that time with the New York scene.  And of course I'm thinking about his poems, which kept him in the middle of things as a talent in his own right. It's not difficult, unfortunately to see why he's not read, and that makes me sad. His poetry is worth more than a few cursory footnotes to the era. I've come to the conclusion now, after dipping into the collected poems at length, but randomly, and reading fo