Skip to main content

Steven Croft

War in Iraq in Seven Vignettes

Diesel exhaust from snow-topped Humvee,
revving in winter darkness to leave Al Asad Marine base,
ice crystals on the mouth of the turret gunner,
blowing water vapor through pulled up black neck gaiter.

We stop in traffic. I look left down a dusty street of houses.
On the curb, a man with a thick black mustache bends to kiss
a shamefaced girl-child on the mouth. She's held forward by
extended armsof a white-robed man in red-checkered headdress.

Cheerful medic cleaning the meat of a soldier's exposed bicep,
exploded out like an anatomy diagram. Soldier sits in sand in pain,
rolling the back of his head against the metal tread of an armored carrier.
"You'll be fine," says the smiling medic. We all truly believe him.

After the shock of IED blast, in an upturned vehicle four slack bodies
with unconscious faces are slowly consumed by licking fire.
We watch through the smoke-fogged, unbreakable bulletproof glass
of combat-locked doors. If only one was awake, could unlock a door.

Nothing visual says "this is war" like this bright blister of pointed tracers
splitting night's black curtain. Their battered Toyota truck racing from
the sound of Apache helos nearing, in night vision we see gowned
figures with AKs bail in backscatter of dust from glorious Gatling rain.

All the uniforms stink in this close press around the regulation boxing
ring outside the PX. Under the glow of generator lights, our potbellied cook
is in the Friday Night Fights, hit again and again by the taller, heavier Marine.
Until, Jones starts punching, punching. Jones wins, my battalion erupts.

With packs and weapons, we wait in twilight. C-130s always fly at night
from Baghdad International, to evade enemy fire. In my last night, I listen
to faraway gunfire. When the call comes, we gather packs, hustle in a loose
line. I plant my left boot on the tail ramp's metal, lift my right out of Iraq.


An Army veteran, Steven Croft lives on a barrier island off the coast of Georgia. He is the author of New World Poems (Alien Buddha Press, 2020).  His poems have appeared inThe New Verse News,Misfit Magazine, Live Nude Poems, Quaci Press Magazine,So It Goes, Anti-Heroin Chic, Ariel Chart, and other places, and have been nominated for the Pushcart Prize and Best of the Net.





Comments

Popular posts from this blog

Ed Dorn's # 22 From Twenty-four Love Poems

                                               from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disappear after use. In any case, Dorn is well worth the reading and re-reading, for me, though he'll never become one of my favorites. And doesn't every poet want that, dead or alive? ;-) #22 The agony

Mike James

 The River’s Architecture for Louis McKee, d. 11/21/11 The river has a shape you follow with your whole body: shoulder, footstep, and ear- those who know how to listen hear how river wind is like breath, alive in lung and line. Mike James makes his home in Murfreesboro, Tennessee. He has published in hundreds of magazines, large and small, and has performed his poetry at universities and other venues throughout the country. He has published over 20 collections and has served as visiting writer at the University of Maine, Fort Kent. His recent new and selected poems, Portable Light: Poems 1991-2021, was nominated for the National Book Critics Circle Award. His last collection, Back Alley Saints at the Tiki Bar, was published in April by Redhawk. He currently serves as the Poet Laureate of Murfreesboro, TN.

Weldon Kees

Along with my Jack Gilbert kick, I've been reading the poems of Weldon Kees as well as the secondary material (very little of which seems to be available in book form), which is too bad. There's a pretty good book called Weldon Kees and the Mid-Century Generation: Letters from 1935 to 1955 , which is structured in such a way that it seems more like a biography in letters. Normally, a writer's letters are collected and footnotes are rare except to sometimes identify confusing timelines. Robert Knoll includes more narrative about Kees than it does letters. I think otherwise it might not have made a full book, otherwise.Very interesting anyway. Kees seemed poised for mainstream uber-success at 41 years old when he simply disappeared.  His car, with the keys still in it, was found near the Golden Gate bridge, but with  no trace of whether he committed suicide or simply ran off to Mexico, as he talked of frequently in his last years.  James Reidel's book Vanished Act: t