Skip to main content

Steven Croft

War in Iraq in Seven Vignettes

Diesel exhaust from snow-topped Humvee,
revving in winter darkness to leave Al Asad Marine base,
ice crystals on the mouth of the turret gunner,
blowing water vapor through pulled up black neck gaiter.

We stop in traffic. I look left down a dusty street of houses.
On the curb, a man with a thick black mustache bends to kiss
a shamefaced girl-child on the mouth. She's held forward by
extended armsof a white-robed man in red-checkered headdress.

Cheerful medic cleaning the meat of a soldier's exposed bicep,
exploded out like an anatomy diagram. Soldier sits in sand in pain,
rolling the back of his head against the metal tread of an armored carrier.
"You'll be fine," says the smiling medic. We all truly believe him.

After the shock of IED blast, in an upturned vehicle four slack bodies
with unconscious faces are slowly consumed by licking fire.
We watch through the smoke-fogged, unbreakable bulletproof glass
of combat-locked doors. If only one was awake, could unlock a door.

Nothing visual says "this is war" like this bright blister of pointed tracers
splitting night's black curtain. Their battered Toyota truck racing from
the sound of Apache helos nearing, in night vision we see gowned
figures with AKs bail in backscatter of dust from glorious Gatling rain.

All the uniforms stink in this close press around the regulation boxing
ring outside the PX. Under the glow of generator lights, our potbellied cook
is in the Friday Night Fights, hit again and again by the taller, heavier Marine.
Until, Jones starts punching, punching. Jones wins, my battalion erupts.

With packs and weapons, we wait in twilight. C-130s always fly at night
from Baghdad International, to evade enemy fire. In my last night, I listen
to faraway gunfire. When the call comes, we gather packs, hustle in a loose
line. I plant my left boot on the tail ramp's metal, lift my right out of Iraq.


An Army veteran, Steven Croft lives on a barrier island off the coast of Georgia. He is the author of New World Poems (Alien Buddha Press, 2020).  His poems have appeared inThe New Verse News,Misfit Magazine, Live Nude Poems, Quaci Press Magazine,So It Goes, Anti-Heroin Chic, Ariel Chart, and other places, and have been nominated for the Pushcart Prize and Best of the Net.





Comments

Popular posts from this blog

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully --I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every ti...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...

PRYING, Jack Micheline, Charles Bukowski, Catfish McDaris, a Review

Roadside Press $18.00 https://www.magicaljeep.com/product/prying/71 Limited Edition of 69 The three poets nesting cheek by jowl in this fetching 2022 reprint of the 1997 Four-Sep Publications chapbook Prying from small press dynamo Michele McDannold's Roadside Press will be familiar to anyone paying attention to even the tiniest of the outlaw poetry scene in the last 50 or so years: Charles Bukowski, Catfish McDaris and Jack Micheline. Bukowski and Micheline need little introduction; their long shadows hover over the outlaw poetry world even now years after their deaths. And the third, the only living poet of the three within, Catfish McDaris, has been building his own small press reputation with considerable success, for nearly as long as the former men. Illustrations are from Scott Aicher. It's most fun to talk about the living McDaris. He appeared and appears so widely it's difficult to keep track and critique, or not, but as his portion of the cover copy says, he doesn...