Skip to main content

Steven Croft

War in Iraq in Seven Vignettes

Diesel exhaust from snow-topped Humvee,
revving in winter darkness to leave Al Asad Marine base,
ice crystals on the mouth of the turret gunner,
blowing water vapor through pulled up black neck gaiter.

We stop in traffic. I look left down a dusty street of houses.
On the curb, a man with a thick black mustache bends to kiss
a shamefaced girl-child on the mouth. She's held forward by
extended armsof a white-robed man in red-checkered headdress.

Cheerful medic cleaning the meat of a soldier's exposed bicep,
exploded out like an anatomy diagram. Soldier sits in sand in pain,
rolling the back of his head against the metal tread of an armored carrier.
"You'll be fine," says the smiling medic. We all truly believe him.

After the shock of IED blast, in an upturned vehicle four slack bodies
with unconscious faces are slowly consumed by licking fire.
We watch through the smoke-fogged, unbreakable bulletproof glass
of combat-locked doors. If only one was awake, could unlock a door.

Nothing visual says "this is war" like this bright blister of pointed tracers
splitting night's black curtain. Their battered Toyota truck racing from
the sound of Apache helos nearing, in night vision we see gowned
figures with AKs bail in backscatter of dust from glorious Gatling rain.

All the uniforms stink in this close press around the regulation boxing
ring outside the PX. Under the glow of generator lights, our potbellied cook
is in the Friday Night Fights, hit again and again by the taller, heavier Marine.
Until, Jones starts punching, punching. Jones wins, my battalion erupts.

With packs and weapons, we wait in twilight. C-130s always fly at night
from Baghdad International, to evade enemy fire. In my last night, I listen
to faraway gunfire. When the call comes, we gather packs, hustle in a loose
line. I plant my left boot on the tail ramp's metal, lift my right out of Iraq.


An Army veteran, Steven Croft lives on a barrier island off the coast of Georgia. He is the author of New World Poems (Alien Buddha Press, 2020).  His poems have appeared inThe New Verse News,Misfit Magazine, Live Nude Poems, Quaci Press Magazine,So It Goes, Anti-Heroin Chic, Ariel Chart, and other places, and have been nominated for the Pushcart Prize and Best of the Net.





Comments

Popular posts from this blog

Karl Koweski

retaliation it was two weeks after you returned from rehab, dad I found the first vodka bottle, a Smirnoff pint, stashed beneath the driver's seat of your Ford. I propped the empty on the dashboard like a bobble-head. I didn't tell you this then, but... going into my room and leaving my dog-eared copies of Penthouse on my pillow next to the Vaseline... that was a pretty good comeback. Karl Koweski is a displaced Region Day now living in a valley in rural Alabama. His latest collection of poetry from Roadside Press "Abandoned By All Things" is out now.

Ed Dorn's # 22 From Twenty-four Love Poems

                                               from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disa...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...