Doped with Religion, Sex and TV
“Working
class hero, my foot,” Darleen spat.
“Pampered
British rock star’s more like it.
He
don’t know nothin’ about no working class,”
she
sneered, “and that Jap witch he married.
She’s
probly the one who put them ideas in his head.”
Darleen
and I worked on the assembly line
at
the Capitol Records plant, putting fresh-pressed LPs
into
sleeves, the packaged albums into cardboard boxes,
the
boxes onto pallets for the forklift guy
to
take them away to the loading dock.
“I
used to like some of them early songs.
‘I
Want to Hold Your Hand,’ ‘A Hard Day’s Night,’
but
you can have this stuff. Working class hero!
Who
does he think he’s kidding?”
I
stuffed my impulse to defend Lennon,
point
out his poverty in postwar Liverpool,
the
broken family, the absent sailor father;
mainly
offended by Doreen’s naked racism,
pitying
her for the misogyny she’d absorbed
from generations of farmers on the prairie.
I
was a college student, working part time
while
carrying a full course load.
She
was a farmer’s wife, supplementing
the
household finances; in
the same boat, really;
only
difference was I read books and she didn’t.
What
do they say?
Never
argue about religion, politics, or music.
“We
got many more Plastic
Ono Bands
left to package?”
I
asked, ignoring her diatribe.
I’d
like to take a cigarette break.”
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