Skip to main content

Salem Literary Festival: Poetry Crush

Here's a pic, stolen from January O'Neil's blog, Poet Mom (thanks!). I'm the hairy guy at the back, along with the much-less-hairy January, Colleen, Walnut and Jennifer, beginning from the rear.

I had a great time with this, even including the 45 steps to the third floor of the Phillips House in Salem MA, where the event was held. In the heat we all talked about our favorite poets, even admitting to some schoolboy/schoolgirl like crushes like mine for Frank Stanford.
I'm an awfully fickle reader and lover of poetry as a rule. I simply dump shit I don't enjoy reading and wait for my next pass of donations to get rid of it. But somehow my fickleness has never evidenced itself with Frank Stanford. I read and read and I never get tired. If you haven't read him, I feel badly for you.


Circle of Lorca
BY FRANK STANFORD

When you take the lost road
You come to the snow
And when you find the snow
You get down on your hands and knees
Like a sick dog
That’s been eating the grasses of graveyards
For twenty centuries.

When you take the lost road
You find woman
Who has no fear of light
Who can kill two cocks at once
Light which has no fear of cocks
And cocks who can’t call in the snow.

You find lovers who’ve been listening
For the same roosters to sing
For twenty centuries
Roosters that have swallowed stones
Out of each other’s tracks
But have never met
Anywhere on the road.

When you take the lost road
You find the bright feathers of morning
Laid out in proportion to snow and light
And when the snow gets lost on the road
Then the hot wind might blow from the south  
And there is sadness in bed for twenty centuries
And everyone is chewing the grass on the graves again.

When you get lost
You come to the moon in the field
The light all lovers soil
The sheet no one leaves clean
The light cocks are afraid to cross
The same moon woman danced under
For twenty centuries
With blood on her face.

When you get lost on the road
You run into the dead
Who have broken down stones
In their throats for twenty centuries
I saw two little crazy boys crying
Because it was morning
And when morning comes it comes
In the morning and never at night.

I saw two security police taking out a man’s balls
And I saw two little crazy boys
Crying by the road who wouldn’t go away
But two has never been a number
Because it’s only legal to pass one at a time
It’s only a drum you can carry but you can’t beat
It’s the evidence they need to make you disappear.

Comments

Popular posts from this blog

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully --I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every ti...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...

Karl Koweski

retaliation it was two weeks after you returned from rehab, dad I found the first vodka bottle, a Smirnoff pint, stashed beneath the driver's seat of your Ford. I propped the empty on the dashboard like a bobble-head. I didn't tell you this then, but... going into my room and leaving my dog-eared copies of Penthouse on my pillow next to the Vaseline... that was a pretty good comeback. Karl Koweski is a displaced Region Day now living in a valley in rural Alabama. His latest collection of poetry from Roadside Press "Abandoned By All Things" is out now.