Ian Randall Wilson

Unsleeping

A cloud passes overhead

bringing 30 seconds

of exceptional rain.

Not enough to raise

the failing reservoirs

more than an eighth of an inch.

The cat prowls

the hallway's outer borders

looking for some

kind of prey.

The floorboards are creaking.

The room shrinks.

Sconce light begins to show its bias,

its unnatural nature

and inability to do more

than make less dim

its tiny corner of the globe.

A river could not meander

less directly.

Enter spirit of the night.

At last the world turns

imperative. Now a dog howls

the way a dog

has howled for these

many million years.

Lights come up.

Words are shouted,

but the tone is very French.

Another cloud burst explodes

with the beat

of at least twenty drummers on the roof.

I'm awake anyway

watching the dark.

I have no exceptional worries

unless the dark begins watching me.

Ian Randall Wilson has published two chapbooks, Theme of the Parabola and The Wilson Poems, both from Hollyridge Press. His fiction and poetry have appeared The Gettysburg Review and Alaska Quarterly Review. He has an MFA in Fiction and in Poetry from Warren Wilson College. By day, he is an executive at Sony Pictures Entertainment.

Comments

Ed Dorn's # 22 From Twenty-four Love Poems

from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disappear after use. In any case, Dorn is well worth the reading and re-reading, for me, though he'll never become one of my favorites. And doesn't every poet want that, dead or alive? ;-) #22 The agony

Weldon Kees

Along with my Jack Gilbert kick, I've been reading the poems of Weldon Kees as well as the secondary material (very little of which seems to be available in book form), which is too bad. There's a pretty good book called Weldon Kees and the Mid-Century Generation: Letters from 1935 to 1955 , which is structured in such a way that it seems more like a biography in letters. Normally, a writer's letters are collected and footnotes are rare except to sometimes identify confusing timelines. Robert Knoll includes more narrative about Kees than it does letters. I think otherwise it might not have made a full book, otherwise.Very interesting anyway. Kees seemed poised for mainstream uber-success at 41 years old when he simply disappeared. His car, with the keys still in it, was found near the Golden Gate bridge, but with no trace of whether he committed suicide or simply ran off to Mexico, as he talked of frequently in his last years. James Reidel's book Vanished Act: t

Mike James

The River’s Architecture for Louis McKee, d. 11/21/11 The river has a shape you follow with your whole body: shoulder, footstep, and ear- those who know how to listen hear how river wind is like breath, alive in lung and line. Mike James makes his home in Murfreesboro, Tennessee. He has published in hundreds of magazines, large and small, and has performed his poetry at universities and other venues throughout the country. He has published over 20 collections and has served as visiting writer at the University of Maine, Fort Kent. His recent new and selected poems, Portable Light: Poems 1991-2021, was nominated for the National Book Critics Circle Award. His last collection, Back Alley Saints at the Tiki Bar, was published in April by Redhawk. He currently serves as the Poet Laureate of Murfreesboro, TN.

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