Skip to main content

Dennis Mahagin

Asterisk
when the bongos 
go missing, some thief 
made of alter ego
and afterthought
brushes the yellow Cobain cowlick
out of his eyes, ducked down 
behind the side door of a Portland
pawn shop 
—this percussionist who sneaks around
wearing the torn 
to shit lumberjack 
shirt, holding on
to a fifty 
like a heart beat in the stiffest breeze,
and his guilty glance, simply a squeezed
frame, it says these beats 
basically the same, yet gone
now and forever 
gone, the beat like an add-on
that the dead can’t put their finger
on—go ahead, switch 
to castanets 
instead, I say, 
and bottle caps—tubular bells 
such as them that exist
in The Exorcist, a thousand little whispers 
like pop rocks from the backfire 
of a flame, and a hearse: they say
we missed you today
in church, we missed you we missed
you, astral 
projection that floats, 
couple inches behind a Venice boat
—dead reckoning in the star-charred 
emptiness of morning canal. 
Oh, sing, sing to be happy, what simply 
cannot be, the chorus to Love Her Madly, 
maybe, so awkwardly, banging 
there the anorexic air
in no known key
—take her in the arms 
of your mind
and dance.

Dennis Mahagin is the author of two poetry collections: “Longshot and Ghazal,” from Mojave River Press, and “Grand Mal,” from Rebel Satori Press. His poems have appeared in magazines such as Exquisite Corpse, The Nervous Breakdown, Thrush Poetry Journal, Juked, Absinthe Literary Review, Stirring, decomP, and 3 A.M. Dennis is the poetry editor for Frigg Magazine, and the owner of a music store in downtown Deer Lodge, Montana. 

Comments

Popular posts from this blog

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully --I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every ti...

PRYING, Jack Micheline, Charles Bukowski, Catfish McDaris, a Review

Roadside Press $18.00 https://www.magicaljeep.com/product/prying/71 Limited Edition of 69 The three poets nesting cheek by jowl in this fetching 2022 reprint of the 1997 Four-Sep Publications chapbook Prying from small press dynamo Michele McDannold's Roadside Press will be familiar to anyone paying attention to even the tiniest of the outlaw poetry scene in the last 50 or so years: Charles Bukowski, Catfish McDaris and Jack Micheline. Bukowski and Micheline need little introduction; their long shadows hover over the outlaw poetry world even now years after their deaths. And the third, the only living poet of the three within, Catfish McDaris, has been building his own small press reputation with considerable success, for nearly as long as the former men. Illustrations are from Scott Aicher. It's most fun to talk about the living McDaris. He appeared and appears so widely it's difficult to keep track and critique, or not, but as his portion of the cover copy says, he doesn...

Ma Yongbo

  Line by line retranslation of Ashbery Waiting makes time democratic, you just said so Then a white horse ran by, repeatedly running back and forth Like a messenger passing straight through various rooms from the front door Out through the back door, I waited like this for twenty-seven years. Initially it was the honey of distortion brewed in the rooms distorted in your convex mirror And that gesture was both an invitation and a refusal Unfolding for me a moment that fluctuated incessantly A crack that exists, the circulation of water in the ocean A ring formed by a self-devouring serpent in motion In between is the void filled with power This mirror of others reflects oneself at the same time Allows all the images of leaves stacked in the depths of the mirror to remain Like a demon in a bottle floating on an infinitely transparent surface Longing for the light of your face, symbolic stones They only stop temporarily in order to focus Forming some kind of meaning, then they are qu...