Skip to main content

Tobi Alfier

Loving Emily

I went to her house.
You were lounged on her couch
in a jacket I didn’t know you owned,
feet up on her shabby table,
reading in silence.

I said let’s call Emily,
swing by her man’s house
and all meet for dinner.
You said something
I don’t recall, and I went
for the phone. On the floor,
four perfect stapled pages,
lined like your beloved
yellow pads. The heading said:
“The Week of Loving Emily”

Four pages of poems I didn’t know,
sent off to journals obscure to me,
the last two to the army. I knew
Emily’s man, a caber tossing
roughneck of a bloke, did not
write these. I knew they were yours.

Emily answered quite chirpy,
got less and less so as she explained
that no, it would not be a good
idea, her man was playing music
with friends, did not want company

I was sad, got more and more down
as she spoke. I knew you were
not coming home with me.
Emily had a Scottish accent,
you did as well. I just left,
I don’t know how I sounded,
just broken hearted.



Massage Chairs

Crumpled – dollars pulled out of your pocket,
thrown on the table with almost disdain.
The way you form your lips when trying to
whistle, crooked and crumpled.  How I
feel when I fold myself on the massage chair,
legs turned under like the wings
of a bird fallen from under the eaves before
learning to fly.  Palms up in quiet surrender
I let everything go, folded and breathing
while a man who I don’t know
lifts my hair once, twice, and
lays palms to places only lovers should explore.
You don’t go there.  Ever?  I can’t remember.
I share secrets I don’t even know.

Tobi Alfier is a multiple Pushcart nominee and multiple Best of the Net nominee. Her full-length collection “Somewhere, Anywhere, Doesn’t Matter Where” was published by Kelsay Books. “Slices of Alice & Other Character Studies” was published by Cholla Needles Press. She is co-editor of San Pedro River Review (www.bluehorsepress.com).

Comments

Popular posts from this blog

Karl Koweski

retaliation it was two weeks after you returned from rehab, dad I found the first vodka bottle, a Smirnoff pint, stashed beneath the driver's seat of your Ford. I propped the empty on the dashboard like a bobble-head. I didn't tell you this then, but... going into my room and leaving my dog-eared copies of Penthouse on my pillow next to the Vaseline... that was a pretty good comeback. Karl Koweski is a displaced Region Day now living in a valley in rural Alabama. His latest collection of poetry from Roadside Press "Abandoned By All Things" is out now.

Ed Dorn's # 22 From Twenty-four Love Poems

                                               from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disa...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...