Skip to main content

Steven Breyak

Netflix and Chill

We used to know the best restaurants
and everybody in them. We knew every party
and everyone knew our names. Now we sit and watch
the newborn as if his crib were a TV
we can reach into and feel the warm pressure
of new stories grabbing hold. And just that
is so much bigger than anything until now. That me
before this is someone I know, I remember, but not me.

I expected to grow into this role. Instead a moment
ticked by and the software had changed. Every thought
is now a father’s thought. And this is just a tease
to what it must have been for you. Thread by thread
building in you, tearing through you while all
I could do was wait, absorbed in all I couldn’t do.
And now this little creature plugs into
you, feeds from you. Our lives’ spin-off.

Months later, while I video his first bites
of mashed banana, as you hold him in your arms
you’ll cry for this beginning, this end. When I ask,
looking through my screen, if you’re crying, I’ll hear
that I’m crying. We’ll laugh and cry. We’ll joke
about all the beer and coffee you’ll be drinking soon.
We’ll celebrate the life growing from us,
over us as we try to take it all in.

Steven Breyak lives with his wife and son in Osaka. There he teaches English at a high school and two universities. You can find more of his work here and elsewhere on the internet with a quick search. You can find another of his recent poems in Gargoyle #73. He makes a pretty mean gin tonic, too. Useful in these times.


Comments

Popular posts from this blog

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully --I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every ti...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...

PRYING, Jack Micheline, Charles Bukowski, Catfish McDaris, a Review

Roadside Press $18.00 https://www.magicaljeep.com/product/prying/71 Limited Edition of 69 The three poets nesting cheek by jowl in this fetching 2022 reprint of the 1997 Four-Sep Publications chapbook Prying from small press dynamo Michele McDannold's Roadside Press will be familiar to anyone paying attention to even the tiniest of the outlaw poetry scene in the last 50 or so years: Charles Bukowski, Catfish McDaris and Jack Micheline. Bukowski and Micheline need little introduction; their long shadows hover over the outlaw poetry world even now years after their deaths. And the third, the only living poet of the three within, Catfish McDaris, has been building his own small press reputation with considerable success, for nearly as long as the former men. Illustrations are from Scott Aicher. It's most fun to talk about the living McDaris. He appeared and appears so widely it's difficult to keep track and critique, or not, but as his portion of the cover copy says, he doesn...