Skip to main content

James Penha

Poem for the Poet

(In response to the questions posed by Alex Dimitrov in "Poem For the Reader")

Dimitrov, you’re a New Yorker now
as I was for the first half of my life
amidst those four seasons poets
use to count time, but here I am
in Bali, alive and well and home now
stretched out on a rattan sofa listening
to the sea in my eyes. It’s rainy season:
daytime brutally hot, but, like the joy
after a migraine subsides, come evening
downpours unimaginable in Manhattan
remind us here for hours what we have
to lose.

I wear the morning after in a blue mood—yes,
indigo. In these difficult dawning hours, I wait
for my husband to open his eyes and although he
might hold me, I plan for the demons in his soul
to win.

Who was I before these trembling years? Why
don’t I rise up in the middle of the tempest,
pack my bags for freedom in New York where
the Brooklyn Bridge hums above the East River
for Walt, for Hart, for Frank, for you, for
bridge and river both provide fire. But what
of love?

And so here I am day and night, sun and rain,
a man for two seasons returning and turning
to him.


A native New Yorker, James Penha has lived for the past three decades in Indonesia. Nominated for Pushcart Prizes in fiction and poetry, his work has lately appeared in several anthologies: Home Is Where You Queer Your Heart, Pages Penned in Pandemic, The Impossible Beast: Queer Erotic Poems, The View From Olympia, Queers Who Don’t Quit, What We Talk About It When We Talk About It, Headcase, Lovejets, and What Remains. His essays have appeared in The New York Daily News and The New York Times. Penha edits The New Verse News, an online journal of current-events poetry. Twitter: @JamesPenha

Comments

Popular posts from this blog

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully --I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every ti...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...

Karl Koweski

retaliation it was two weeks after you returned from rehab, dad I found the first vodka bottle, a Smirnoff pint, stashed beneath the driver's seat of your Ford. I propped the empty on the dashboard like a bobble-head. I didn't tell you this then, but... going into my room and leaving my dog-eared copies of Penthouse on my pillow next to the Vaseline... that was a pretty good comeback. Karl Koweski is a displaced Region Day now living in a valley in rural Alabama. His latest collection of poetry from Roadside Press "Abandoned By All Things" is out now.