Skip to main content

Appeal to Poetry Editors

from Poetic Asides and Robert Lee Brewer:

Dear Poetry Editors,*
For years, poets have grown accustomed to rejection in several forms (as in rejection forms) and the occasional nice note. However, there are some editorial practices that need to be done away with for the good mental health of poets, who already have their mental health called into question for working tirelessly at their craft for little or no money (myself included).
No Note
First, there's the case of editors who don't include any sort of note--even a form letter--with rejected poems. I totally understand if you can't afford to print up form rejection letters, but surely you at least have a pen that can write something on the poems. The word NO would probably convey your meaning.
No note gives poets a false sense of hope. For instance, they may think, "Hey, there was no rejection included, so maybe...maybe they liked what I sent?"
Don't laugh. Poets are a hopeful people.
Empty Envelope**
This is even more bizarre than the no note tactic. After all, the poet sent poems and a self-addressed, stamped envelope. Where did the poems go? Where is the confirmation of rejection? Keep reading.

Comments

Popular posts from this blog

Ed Dorn's # 22 From Twenty-four Love Poems

                                               from Jacket The strengthy message here in #22 of 24 Love Songs can be summed up in two lines: ['There is/no sense to beauty. . .' and '. . .How/ the world is shit/ and I mean all of it] What I also like about this brief poem is the interplay between the title of the book and the subject of the poems (love/anti-love (which is not hate)): it's all a mass of contradictions, like love. And I have to say that the shorter poems of the Love Songs and the last book he wrote before dying (Chemo Sábe) seem to me much better and more memorable than the Slinger/Gunslinger poems. These (generally) later poems probably attempt less stylistically, but are more sure-handed, hacked from a soap bar, maybe. Easy to use, but disappear after use. In any case, Dorn is well worth the reading and re-reading, for me, though he'll never become one of my favorites. And doesn't every poet want that, dead or alive? ;-) #22 The agony

Weldon Kees

Along with my Jack Gilbert kick, I've been reading the poems of Weldon Kees as well as the secondary material (very little of which seems to be available in book form), which is too bad. There's a pretty good book called Weldon Kees and the Mid-Century Generation: Letters from 1935 to 1955 , which is structured in such a way that it seems more like a biography in letters. Normally, a writer's letters are collected and footnotes are rare except to sometimes identify confusing timelines. Robert Knoll includes more narrative about Kees than it does letters. I think otherwise it might not have made a full book, otherwise.Very interesting anyway. Kees seemed poised for mainstream uber-success at 41 years old when he simply disappeared.  His car, with the keys still in it, was found near the Golden Gate bridge, but with  no trace of whether he committed suicide or simply ran off to Mexico, as he talked of frequently in his last years.  James Reidel's book Vanished Act: t

Charlie Brice

Immortality You make sure to eat Grape-Nuts every third or fourth morning, cover those non-nut nuts with blueberries because they have gobs of Omegas and no Theta’s, floss every other night to inhibit heart infections, use mouthwash several times-a-day to ward-off armies of oral bacteria, walk the dog every night for a mile, eat an orange daily, take your Lipitor horse pill, your Enalapril, Verapamil, Singulair, Multi- vitamin, Allegra, and carefully cut your Metoprolol in half and take it for your arrythmias, and you do all this instead of church, instead of fingering rosary beads and telling yourself that somewhere near our galaxy’s big black hole Jesus and Mary are floating around without oxygen masks or spacesuits, and it’s in this way that you avoid the anvil of disease, the miasma of malaise, the numinosity of pneumonia—in this way you make sure never to die, you make sure to live forever and ever. Amen. Charlie Brice won the 2020 Field Guide Poetry