Skip to main content

William Soldan

Missoula

1.

Rolled in late and slept beside a Taco Bell, woke up
dried out and soaked, gasping with the windows closed.

First coffee, then our sense of direction, looking for labor,
meet a trio hoofing off a main drag, tell them to tag along,
soon headed west to that city of rain.

But then a cold case and respite on the brambled bank,
a patchwork gaggle passing-through from every point:
kid from New York going to or coming from,
can’t hold still to tell the tale, and some woman calling herself
Iron Butterfly, maternal with sandwiches and soup, passing around
papers and a pouch of moist shag. A Scorpio named Cula singing
Inna-Gadda-Da-Vida Baby like some primitive mating call.

Later, a guy named Doc with knotted locks knocks out
a dude named Buddha, makes him bleed beneath a sliver of summer moon,
while a girl with a drum hangs upside down by her knees in a tree, laughing.

His farewell bid alliterates
in the distant hills:

Best ‘member me, Muthafucka.

2.

Wake in a field of flattened grass, bodies sprawled
around smoldering ash, the sun searing its arc toward midday.

Someone says, Shit, then, C’mon, then, Hurry.





Cheyenne

A between hour between things,
dark night of the soul hour,

hour of the wolf.
A van rambling bald Bridgestones

through unseen prairies,
static stringing broken blues

and cracked, early morning hallelujahs.

East toward central time,
time-travelling on land,

cash-wise tapped, coins
and a few wrinkled bills,

sunk and hungry, tank burning miles,
miles gone and miles calling.

No condition.
For any of this, sleepless.

Almost Christmas and the world
is brown and brow beaten

ghosts coast into gravel and
neon light.

A bite, a steaming cup
before they go bust.


William R. Soldan is the author of the story collection In Just the Right Light and two forthcoming collections, Houses Burning and Other Ruins and Lost in the Furrows. His poetry has appeared in venues such as Gordon Square Review, Jelly Bucket, Night Music Journal, Neologism Poetry Journal, and others. He lives in Youngstown, Ohio, with his wife and two children.



Comments

Popular posts from this blog

Kinnell's Book of Nightmares/Under the Maud Moon

Probably everyone knows this poem and this book very well. Kinnell isn't exactly invisible in the poetry world. I loved this poem and this book from the very first time I read it, while I sat on the floor in the old Emerson College at 150 Beacon Street. I've loved kids from a time well before I had any of my own, and I could put myself in this narrator's perspective so easily it was as if I'd suddenly slid from my own life and become a real poet. ;-) I hadn't really read anything that used linebreaks so seemingly haphazard, but powerfully --I got a charge as I read it-- or a voice that seemed so assured of its right to the sentiments expressed. Irony is the rule of the day for many poets, and I don't necessarily cotton to it all the time so Kinnell is a balm for me; I can go back and read BoN and remember how it lit me up the first time and have energy to go back the page with. I'm sort of over his poems now, but the feeling comes back just a little every ti...

Charles Rammelkamp

Doped with Religion, Sex and TV “Working class hero, my foot,” Darleen spat. “Pampered British rock star’s more like it. He don’t know nothin’ about no working class,” she sneered, “and that Jap witch he married. She’s probly the one who put them ideas in his head.” Darleen and I worked on the assembly line at the Capitol Records plant, putting fresh-pressed LPs into sleeves, the packaged albums into cardboard boxes, the boxes onto pallets for the forklift guy to take them away to the loading dock. “I used to like some of them early songs. ‘I Want to Hold Your Hand,’ ‘A Hard Day’s Night,’ but you can have this stuff. Working class hero! Who does he think he’s kidding?” I stuffed my impulse to defend Lennon, point out his poverty in postwar Liverpool, the broken family, the absent sailor father; mainly offended by Doreen’s naked racism, pitying her for the misogyny she’d absorbed from generations of farmers on the prairie. I was a college student, working part...

PRYING, Jack Micheline, Charles Bukowski, Catfish McDaris, a Review

Roadside Press $18.00 https://www.magicaljeep.com/product/prying/71 Limited Edition of 69 The three poets nesting cheek by jowl in this fetching 2022 reprint of the 1997 Four-Sep Publications chapbook Prying from small press dynamo Michele McDannold's Roadside Press will be familiar to anyone paying attention to even the tiniest of the outlaw poetry scene in the last 50 or so years: Charles Bukowski, Catfish McDaris and Jack Micheline. Bukowski and Micheline need little introduction; their long shadows hover over the outlaw poetry world even now years after their deaths. And the third, the only living poet of the three within, Catfish McDaris, has been building his own small press reputation with considerable success, for nearly as long as the former men. Illustrations are from Scott Aicher. It's most fun to talk about the living McDaris. He appeared and appears so widely it's difficult to keep track and critique, or not, but as his portion of the cover copy says, he doesn...