Skip to main content

Luis Cuauhtemoc Berriozabal

To Ann’s Typewriter
for Anne Menebroker

Will you tell me HERE,
typewriter, what you miss most
about Anne since she’s been away?
She’s with you still, you say.
Are you SERIOUS?
The words remain.
Someone still reads them
and finds joy.
Will you tell me more?
My ears have perked up.
Let it all out in typewriter
speak. I am down.
Tell me more. I am right here.
Drink in hand,
I feel so peaceful
like if the ocean was outside
my door and the mountains
on the other side.
Will you go on typewriter?
The sky is crying.
Rain is falling down.
Can I come back again someday?
You’re a lovely LECHEROUS MACHINE.
Like Ann said, with a slow and greedy excitement,
you find a way to end one’s days.

Luis has lived in California for 45 years. He works in the mental health field in Los Angles. His poetry has appeared in Ariel Chart, Blue Collar Review, Kendra Steiner Editions, Mad Swirl, The Rye Whiskey Review, Unlikely Stories and Yellow Mama Magazine. 

Comments

Popular posts from this blog

Amy Holman

My mother made herself the deer with a broken leg  We saw a deer through the pane into someone else’s yard. The leg moved like a tube sock pinned to the hip  and half filled with sticks. I did not like to see it suffer, either. She was upset —my mother —that no one helped  the doe. Was it a mother, too? As if we were the first to observe the scene. We weren’t. All had been told to let her be. My mother had suffered a destruction  of the self, a divorce, and no one cared. That wasn’t true.  We were grown, on our own. I agree it was hard. Yet  in those moments of a cold November day, we watched  a doe, disabled and enduring, walk across a yard and eat  a hedge. I wish she could have seen it like that. Amy Holman is the author of the collection, Wrens Fly Through This Opened Window (Somondoco Press, 2010) and four chapbooks, including the prizewinning Wait for Me, I’m Gone (Dream Horse Press, 2005). Recent poems have been in or accepted by Blueline,

David Oliver Cranmer

Not Just Another Playlist Often, I sit in my swivel chair looking out the window, while jazz, country, or rock music plays. This pleasure goes on for many hours a mystic trance of sorts streaming—the glue maintaining my soul. I turn the best songs into playlists (once we called them mix tapes) puzzling over the perfect order. Does Satchmo’s “What a Wonderful World” kick off my latest list or make it the big soulful closer? And does “Mack the Knife” go higher in the set than “Summertime?” That’s an Ella Fitzgerald duet! “Foolishness? No, it’s not” whether you are climbing a tree to count all the leaves or tapping to beats. These are the joys that bring inner peace and balance (to a cold universe) lifting spirits skyward. David Oliver Cranmer ’s poems, short stories, articles, and essays have appeared in publications such as Punk Noir Magazine , The Five-Two: Crime Poetry Weekly , Needle: A Magazine of Noir , LitReactor , Macmillan’s Criminal Element , and

Maureen O'Leary

Grief (for J’uan) Maybe we turn into clouds of reefer Particulates coating the lungs of the people thinking about us First and secondhand smoke Clinging to the frizzing gray locs of the women mourning us Or maybe we are in the splashes of Hennessey Swirling in the bottoms of Styrofoam cups A bad burn in the throats of our brothers Something to remember us by On the way back up. Maybe we are still here. In the way the candles keep going out In the way they call out to God. If they only looked up they could see our eyes Shining through the branches and glittering through the haze Below the stars. Maureen O'Leary lives in Sacramento, California. Her work appears in Coffin Bell Journal, Bandit Fiction, The Horror Zine, Ariadne Magazine, and Sycamore Review. She is a graduate of Ashland MFA.