If the epicenter of your annual sales model is the AWP conference, you gotta shake it up. That's right, even if you plan to have really cool swag (shot glasses!) at your table, and an offsite reading at the grubbiest hipster bar in town. We have got to stop thinking that credibility in our own community is enough (emphasis mine).You need to bust your ass, whether you can or not, getting out there personally among the potential readers. It's not enough to be great poetry, you have to make your poems known by reading them at events and publishing them where non-writing friends and other people can see them (online, if you ask me). It doesn't take a salesperson to sell them, it takes simply your presence along with a desire to discuss what you already love.
Thursday, September 8, 2011
Another Blazevox Post
If you're a small press, you've likely heard of this tempest in a teapot already and formed an opinion. In case you haven't, Sandra Beasley makes a great deal of sense here.
Tuesday, August 30, 2011
Prosody and Other Fun Things
If you've ever struggled with meter, this place can help you out.
http://prosody.lib.virginia.edu/
I'm still here, just distanced for the moment from poetry. I'm writing two new stories for someone who solicited me, and banging away on my old novel trying to make it better for public presentation. What are you all up to?
Thursday, August 11, 2011
Monday, August 1, 2011
Clare Pollard, Poet
Clare Pollard is a English poet, and
new to me. I read her book Changeling, from Bloodaxe Books in England
recently, and was struck immediately by some refashioning of myth
that so many people do badly, but not her, thank God, as well as some
stark confessional poetry that hit me even more. It's Sextonish, yes,
but with a contemporary and more cynical feel. Well worth the time to
track it down, this book. Go forth and do what you must: consume.
Adventures in Capitalism
Nothing is real and I want it to stop.
I cut my wrists, but the blood looks
like make up.
I slump in toilets snorting cocaine
but it doesn't seem true, just a grimy
dream.
I wanted to feel, so had a
tattoo done.
I chose a sea-blue anchor near the
bone,
then saw it in a tabloid and felt a
fake.
Crashed a car dad bought me. Nothing
broke.
I went to see Othello swallow a
lie
and cried at the end, but it was only a
play.
Read some Rimbaud, bought a black
polo-neck
and a bottle of absinthe, but felt like
a prick.
I whisper 'I love you' and 'Tie me
down,'
but all that moan and fisting is just
porn.
Signed an online petition but it made
no difference.
I bought a house, but it's like playing
house.
I own How to be a Domestic Goddess,
but I've never
cooked from it, if I'm honest,
and the brownies
and aprons are only props
and my wardrobe's a
Fancy Dress box,
and I yell at
everyone who cares. I hurt them
because I need
something to fucking happen.
Tuesday, July 19, 2011
New Poem (exists for a couple days only before it poofs)
Hi. I know it's been a while. I've been unnaturally busy elsewhere, otherwise known as 'life intrudes.' Here's a new draft with an awful, obvious title. In fact, I think I'll leave it titleless it's so bad.
SEE TITLE HERE
SEE TITLE HERE
Poem goes *poof*.
Thursday, June 23, 2011
From Bill Knott's Latest Collection Murder/Suicide
which is available for free, as all of his books are, or you can pay a few bucks for a print copy via Lulu. This is the first poem from this edition. I had not read it before, but now I can't stop thinking about it.
1946
The year Noir was born; the year Nazis hid
In monasteries to restore their force;
Peace, but peace that made some things even worse
Than they were pre-war: I was just a kid,
Hard at play, cap pistols, hooky, apples
Filched through a farm fence: then my mother dies,
Killed illegal abortion style by guys
Quoting God, his badboy lies, his bibles.
Pope Vandal burnt the last Complete Sappho
Publicly, my mother was butchered in
A secret site; their results much the same,
So I blame him and him and him and him,
All of them from Adam onwards are men,
Meaning me, meaning the worst thing I know.
1946
The year Noir was born; the year Nazis hid
In monasteries to restore their force;
Peace, but peace that made some things even worse
Than they were pre-war: I was just a kid,
Hard at play, cap pistols, hooky, apples
Filched through a farm fence: then my mother dies,
Killed illegal abortion style by guys
Quoting God, his badboy lies, his bibles.
Pope Vandal burnt the last Complete Sappho
Publicly, my mother was butchered in
A secret site; their results much the same,
So I blame him and him and him and him,
All of them from Adam onwards are men,
Meaning me, meaning the worst thing I know.
Note: In 1073, Pope Gregory VII ordered the public burning of all books containing the poetry of Sappho
Tuesday, June 14, 2011
from Three Variations, All About Love, by Philip Whalen
I love this poem so much I typed it in.

I.
So much to tell you
Not just that I love
There is so much more
You must hear and see
If I came to explain
It would do no good
Wordlessly nibbling your ear
Burying my face in your belly
Refuse to see me!
Don't answer the door or the telephone
Fly off in a dragon-chariot
Forget you ever knew me
But wherever you are
Is a corner of me, San Juan Letran
Or Montreal,Brooklyn,
Or the Lion Gate
Under my skin at the Potala
Behind my eyes at Benares
Far in my shoulder at Port-au-Prince
Lifted in my palm
Anywhere you must be you
Drugged, drunk or mad
As old,as young, whatever you are
Living or dying the place will be me
And I alone the car that carries you away.

I.
So much to tell you
Not just that I love
There is so much more
You must hear and see
If I came to explain
It would do no good
Wordlessly nibbling your ear
Burying my face in your belly
All I would tell is you
And love; I must tell
Me, that I am a world
Containing more than love
Holding you and all your other
Lovers wherein you
And I are free from each other
A world that anyone can walk alone
Music, coathangers, the sea
Mountains,ink, trashy novels
Trees, pancakes, The Tokaido Road
The desert--it is yours
Refuse to see me!
Don't answer the door or the telephone
Fly off in a dragon-chariot
Forget you ever knew me
But wherever you are
Is a corner of me, San Juan Letran
Or Montreal,Brooklyn,
Or the Lion Gate
Under my skin at the Potala
Behind my eyes at Benares
Far in my shoulder at Port-au-Prince
Lifted in my palm
Anywhere you must be you
Drugged, drunk or mad
As old,as young, whatever you are
Living or dying the place will be me
And I alone the car that carries you away.
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Paul Ilechko
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